Last week, OpenAI turned off the ability for new customers to purchase generation credits for the web version of DALL-E 2, effectively killing it. From a technological point of view, it’s not too surprising that OpenAI recently began winding down support for the service. The 2-year-old image generation model was groundbreaking for its time, but it has since been surpassed by DALL-E 3’s higher level of detail, and OpenAI has recently begun rolling out DALL-E 3 editing capabilities.
But for a tight-knit group of artists and tech enthusiasts who were there at the start of DALL-E 2, the service’s sunset marks the bittersweet end of a period where AI technology briefly felt like a magical portal to boundless creativity. “The arrival of DALL-E 2 was truly mind-blowing,” illustrator Douglas Bonneville told Ars in an interview. “There was an exhilarating sense of unlimited freedom in those first days that we all suspected AI was going to unleash. It felt like a liberation from something into something else, but it was never clear exactly what.”
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